Sometimes I find it interesting, the little similarities and contrasts that occur in simultaneous events. For instance--the two movies I watched last weekend. Both had been recommended to me by various people who thought I would like them, and I knew, knowing myself, that I would. One was written and created by Neil Gaiman and Dave McKean, who I admire with every geeky bone in my body. The other was a little indie film about two musicians in Ireland who create heartfelt acoustic melodies together. These movies are, of course,
MirrorMask and
Once, and I don't think that it's possible to see two movies back to back that are more different and more the same.
MirrorMask, now. This is so very much a triumph of style over substance that I think even the stupid critics noticed it. Every image is gorgeous and arresting and imaginative--you could pause the movie at any moment, make a full-color print of the screen, and have an amazing poster for your wall that every visitor to your home would stare at in befuddlement. It's awesomely weird and weirdly awesome, a modern Wizard of Oz, an impressionistic whirl of fantastic creatures and confusing landscapes. But the story isn't much to speak of and the characters are tropes, the dialogue fails to sparkle, the emotions fail to feel real. That isn't just because it's fantasy, either. Good fantasy is good because it's so real, because the impossible situations and surroundings highlight the humanity of the people inside them, the gut-wrenching reality of being a hero in a dark world or a princess without a prince--both entirely genuine roles that people everywhere in the "real world" find themselves in.
MirrorMask, though . . . not quite. It's a shiny bauble, beautiful but cracked. I do adore it--I can't help that--but I don't love it.
Once, now. Here is a movie that has so much substance, the substance becomes the style. It's about these two people, so entirely ordinary, outside of their passion and talent for music. Almost everyone is calling this a romance, but I don't think it is, really. Two people can connect deeply and intimately without being romantic--it's called friendship, and it's more powerful than the world knows. Much of the movie was improvised, and so it is entirely natural, a tender and moving portrait of two lives that intersect at just the right moment, each changing the other in only the best ways.
Oh, and the music is fantastic, did I mention? You can listen to it, here.
http://www.foxsearchlight.com/once/ Not my usual cuppa, yet I cannot
not love it.
This movie made me want to write. It made me want to revive my own dusty piano skills, and make music the way I used to. No, the way I never really have. Only the best movies make me feel this way, make me feel motivated to create and do and feel and live. It really is extraordinary.
There were moments of such intense musicality in that movie. The camera lingered on the musicians, the song built, and I was there, goosebumps everywhere. I felt that high that I sometimes get when I'm jamming with other people, and it's just so perfect and wonderful, a floating feeling, but still entirely in control, fingers and lips doing exactly what they're supposed to do, exactly when they should do it, and everyone working exactly in sync, intense and right and euphoric. It's a marvelous feeling, and I'm astonished that they managed to capture it, this alchemy, this magic. I'm getting the feeling again just writing about it, listening to the soundtrack.
I think perhaps I might have gotten that feeling with
MirrorMask, if I was a visual artist, instead of being entirely preoccupied with words and, occasionally, music. Because there are moments like that, in that movie, when you are aware that you are watching an artist at their absolute peak, the perfection of their craft. This movie also made me want to write.
All in all, I feel entirely motivated, but I'm not sure what I want to write. Something cool. But what?
Well, I wrote this little ramble. That must count for something.